• Installation views, The Storage Room and the Corridor (with Tyler Hodgins), Deluge Contemporary, Victoria, 2010

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  • The Basement [front/side and reverse detail views] (oil, acrylic, beeswax, graphite, charcoal and distemper on canvas and papier-mâché with wood stretcher, approx 42” x 50” x 4.5″) 2002-2010”

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  • The Basement [reverse view, Installation view] (oil, acrylic, beeswax, graphite, charcoal and distemper on canvas and papier-mâché with wood stretcher, approx 42” x 50” x 4.5″) 2002-2010”

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  • 1,000 Hours Later (The Pulmonary Artery) [reverse view] (oil, acrylic, charcoal, chalk and beeswax on canvas and papier-mâché with wood frame, approx. 35.5″ x 19.5″ ) 2007-2010

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  • 1,000 Hours Later (The Pulmonary Artery) [front view and reverse detail view] (oil, acrylic, charcoal, chalk and beeswax on canvas and papier-mâché with wood frame, approx. 35.5″ x 19.5″ ) 2007-2010

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  • Lakeshore (front and reverse views) (oil, acrylic, beeswax, graphite, charcoal and chalk pastel on canvas mounted and papier-mâché with metal wire, frame and linen liner, approx. 34.5″ x 25.5″) 2004-2010

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  • Parasitic Drawings (with Silas Luna) (ink and pencil on paper, approx 8” x 5”) 2008

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  • Sign [front and reverse views] (oil and acrylic on papier-mâché, Masonite panel and wooden frame with metal wire, approx. 26”x 20”) 2008-2009

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  • Messenger (ingresso) [front and reverse views] oil, latex and acrylic on canvas, papier-mâché, cardboard and wooden frame with metal wire, approx. 29”x19”) 2008 -2009

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  • Window [front and reverse views] oil, acrylic, chalk pastel, charcoal and aluminum foil on canvas mounted on papier-mâché and wooden frame with metal wire, approx. 20”x 16”) 2003-2008

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