• Is and isn’t

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  • word sculptures against oxide red clothbound

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  • A questionnaire from Michael Jess (Decou PagePublications, http://www.decoupagepublishing.com), January 2013

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  • The duration of making is the duration of the pretence of presence

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  • It’s not sentimental unless it is left alone too long without coordinating ideas.

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  • Recent Collage Work

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  • Some working images of The three quarters (grass book), for Davis Lisboa Mini-Museum of Contemporary Art, 2013. Oil, latex enamel, spackle and pencil crayon on fragment of untitled hard-edged oil on canvas painting (ca. 1974), stencilled fabric anarchist patch (ca. 2011), illustrated book and papier-mâché, with twine, elastic, cord, leather and pins, 15 cm x 12 cm x 10cm

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  • Emigrant (1993-2012), Exhibited at Art Incognito, 2012. Purchased for the permanent collection of the Vancouver Island School of Art. Oil, acrylic, graphite, charcoal, beeswax and latex enamel on canvas and papier mache with wood frame, staples and wire

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  • Rothko and RED

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  • Tara Nicholson at Deluge Contemporary

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